— Adam Donaldson Powell

Learning Life
I.
Death and I
have had
an embarrassingly long correspondence.
We stopped introducing ourselves
years ago.
It no longer knocks.
It opens the door,
looks around,
raises an eyebrow
as if to say,
Still?
And I,
without much ceremony,
pour another cup of coffee.
We have become
bad neighbours.
Too familiar
to fear each other properly.
II.
There was a time
when I practised dying.
Not metaphorically.
I rehearsed
the subtraction.
I packed memory
into smaller boxes.
I loosened my grip
on tomorrow.
I learned
how not to buy books
I might never finish.
How not to plant trees.
How not to imagine
old age,
because old age
was a country
without my passport.
I became
astonishingly good
at disappearing
before I had gone.
III.
Then history
changed its mind.
Medicine
argued with prophecy.
Names that belonged
on memorial walls
answered the telephone.
Some of us remained.
Not victorious.
Remaining
is not victory.
It is administration.
Paperwork.
Appointments.
Pills.
The strange bureaucracy
of continuing.
IV.
No one tells you
that survival
is another diagnosis.
Everyone celebrates
the cancelled funeral.
No one notices
that the man
who expected to die
must now invent
someone capable
of living.
V.
How many times
can a life
begin again
before beginning
becomes its own habit?
How many versions
of myself
sit quietly
inside this body?
The young man
certain of extinction.
The patient.
The miracle.
The statistic.
The cautionary tale.
The inspiration
I never applied to become.
The witness.
The ghost
who accidentally
kept breathing.
VI.
People speak
of survivor’s guilt
as though guilt
were an illness.
They misunderstand.
Guilt
is love
with nowhere left
to arrive.
It is setting
too many places
at the table.
It is counting voices
that no longer
alter the air.
It is hearing laughter
so vividly
that silence
sounds incorrect.
I have lived
inside rooms
still occupied
by the absent.
VII.
Sometimes
I have mistaken
survival
for identity.
If enough storms
choose your address,
you begin introducing yourself
as weather.
Who are you?
The one
who lived.
Again.
And again.
And again.
It sounds
like an answer.
Until one morning
you realise
you have described
only the fire escapes.
Nothing
about the house.
VIII.
There is comfort
in emergency.
Emergency
has instructions.
Emergency
simplifies.
Breathe.
Wait.
Endure.
Repeat.
Life,
on the other hand,
is impossibly
complicated.
Life asks
What delights you?
What beauty
can you tolerate?
Whom will you love
without rehearsing
their disappearance?
What future
will you risk believing?
Life
has always frightened me
more than death.
Death
requires only surrender.
Life
keeps asking
for participation.
IX.
There came a morning
with no catastrophe.
No diagnosis.
No telephone call.
No blood result
waiting
like a judge.
Only sunlight
doing
what sunlight does.
It entered the room
without needing me
to deserve it.
I did not know
what to do
with an ordinary day.
I had trained
for apocalypse.
Not Tuesday.
X.
So I began
very badly
to practise living.
The way
I once practised dying.
I bought books
without calculating
whether I would finish them.
I planted things.
I learned
the dangerous art
of expecting spring.
I allowed myself
the extravagance
of next year.
XI.
I am still learning.
Some mornings
I wake
already halfway
to goodbye.
Old reflexes.
The body remembers
every alarm
that ever proved true.
Hope
still feels
slightly dishonest.
Joy
sometimes arrives
wearing borrowed clothes.
But fear
is becoming
less fluent
in my language.
XII.
The dead
do not ask me
to follow them.
Love
never demanded
such loyalty.
Perhaps
what honours them
is not
my permanent mourning
but my willingness
to keep discovering
what they were denied.
Grey hair.
Bad knees.
Terrible jokes.
Unfinished novels.
Late friendships.
Gardens.
The exquisite boredom
of decades.
Perhaps
the most faithful memorial
is not grief.
Perhaps
it is longevity
accepted
without apology.
XIII.
Death still visits.
Of course it does.
We nod.
Old acquaintances.
But it no longer
gets to introduce me.
When someone asks
who I am,
I hope
one day
I will not begin
with every cliff
from which I returned.
I hope
to speak first
of what I have built
between the precipices.
The poems.
The kindnesses.
The mornings.
The people
who know my laughter
better than my history.
XIV.
Because surviving
was never
the whole story.
It was only
the permission
to begin.
And now
after all these years
I stand
before the difficult miracle.
Not unafraid of death.
That lesson
arrived long ago.
No.
This is harder.
This is stranger.
I am learning,
at last,
with hesitant hands,
to be
unafraid
of life.
XV.
There came a day
when I grew tired
of treating my body
as occupied territory.
The virus
had lived with me
longer
than many friendships.
The clots,
the nerves,
the joints
that argued with weather—
they were no longer
invaders.
They were
the difficult family
I had spent decades
trying to evict
from a house
we equally inhabited.
Love,
I discovered,
does not always arrive
as admiration.
Sometimes
it arrives
as a ceasefire.
XVI.
I have carried
too much resentment
for this faithful,
faltering body.
I mourned
the shoulders
that once turned heads.
The narrow waist.
The effortless beauty
that youth
mistakenly believes
is character.
I searched old photographs
for evidence
that I had once
been someone
worth missing.
Then one morning
the mirror
did not ask
to be forgiven.
Only seen.
There is a beauty
that arrives
only after survival
has rewritten the face.
It cannot seduce.
It can only tell
the truth.
XVII.
Doctors
have saved me.
Doctors
have frightened me.
Doctors
have shrugged.
I have learned
to trust
their knowledge
without surrendering
my experience.
No textbook
contains
the geography
of becoming
the same patient
five different times.
Advice,
however kind,
cannot substitute
for a country
no one else
has inhabited.
There are maps
I carry
that cannot be photocopied.
XVIII.
Even those
who loved me
sometimes stepped away.
Not because
they loved less.
Because terror
is contagious.
Some people
cannot bear
a pendulum
that refuses
to choose
between life
and death.
They wanted
certainty.
I could offer
only weather.
I do not blame them.
The horizon
has frightened me too.
Still,
there are absences
that ache
long after forgiveness
has arrived.
XIX.
There is,
if I am honest,
a romance
to almost dying.
It burns away
small talk.
It grants
a terrible importance
to every breath.
It whispers
that you have seen
what others
have not.
I wore that whisper
like a medal.
Like a vocation.
Like a name.
Until I understood
that death
had been asking
for far less of me
than life.
Death wanted
my ending.
Life demanded
my transformation.
One
is an event.
The other
a discipline.
XX.
Now,
when pain
introduces itself
before breakfast,
I do not ask
whether it has come
to kill me.
We have exhausted
that conversation.
Instead I ask,
Will you walk beside me
today
without stealing
the whole horizon?
Some mornings
it agrees.
Some mornings
it does not.
Even then,
we travel together.
XXI.
And perhaps
this is
what the old poet knew.
Death,
be not proud.
Not because
you cannot kill me.
You will.
One day.
Without apology.
Without malice.
Without triumph.
But you have already
spent
your greatest weapon.
You taught me
to fear life.
You taught me
to mistake survival
for living.
You taught me
to worship
the edge
instead of the landscape.
I decline
that faith.
Take,
when you must,
this weathered body.
The virus.
The scars.
The slower heart.
The face
time has patiently
rewritten.
But leave me
this one astonishment:
that after practising
death
for so many years,
I have finally begun
to learn
life.
XXII.
They have often asked
for the whole story.
As though
a life
could be bound
between hard covers.
As though
memory
were chronology.
As though
survival
were plot.
But the story
has never belonged
to me.
It has been writing itself
for longer
than I have been alive—
in poems,
in paintings,
in borrowed voices,
in imagined lives,
in every hand
that reached
for another
after recognizing
some forgotten part
of itself.
My history
is only the wick.
Not the flame.
When I am gone,
let the facts
go with me.
The dates.
The diagnoses.
The miracles.
The disasters.
Keep instead
whatever
became possible
inside another heart
because mine
remained open
long enough
to speak.
A life
does not continue
because someone
remembers its story.
It continues
because someone,
somewhere,
finds themselves
less afraid
to live.
Then,
whether they know my name
or not,
the song
has already begun.
And perhaps
that is all
any life
was ever trying
to become.
XXIII.
For no life
ends
before
someone sings.

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